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The Uninnocent: StoriesBy Bradford Morrow
Download PDF The Uninnocent: StoriesBy Bradford Morrow
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A New York Times Book Review Editors' Choice
Bradford Morrow’s stories have garnered him awards such as the O. Henry and Pushcart Prizes and have given him a devoted following. Now gathered here for the first time is a collection of his most darkly comic, masterfully written tales.
A young man whose childhood hobby of collecting sea shells and birds’ nests takes a sinister turn when he becomes obsessed with acquiring his brother’s girlfriend, in “The Hoarder” (selected as one of the Best American Noir Stories of the Century). An archeologist summoned to attend his beloved sister’s funeral is astonished to discover it is not she who has died, but someone much closer to him, in “Gardener of Heart.” A blind motivational speaker has a crisis of faith when he suddenly regains his sight, only to discover life was better lived in the dark, in “Amazing Grace.”
In all of these stories, readers will find themselves enthralled and captivated by one of the major voices in contemporary American fiction.
- Sales Rank: #4095373 in Books
- Published on: 2013-01-09
- Released on: 2013-01-09
- Original language: English
- Number of items: 1
- Dimensions: 8.80" h x .80" w x 5.70" l, .50 pounds
- Binding: Paperback
- 352 pages
From Publishers Weekly
Conjunctions founding editor Morrow (The Diviner's Tale), creates beautifully dark and soulfully intimate stories in his first collection, featuring characters who, though hardly citizens of virtue, reveal their true colors with little remorse. Each tale is told close at hand, with first-person narrators drawing the reader into their confidence, making readers complicit in shadowy inner workings that they don't completely understand. A man who enjoys collecting trinkets sets his sights dangerously on his brother's girlfriend in "The Hoarder." A blind man, in "Amazing Grace," regains his sight only to realize that the enlightened life he had imagined for himself is actually shrouded in darkness. After misplacing his mind, a man finds that, "whereas before he was dependable (had been with the same accounting firm for fifteen years, was the star shortstop on their interleague softball team), he now became not just unreliable, but entirely unpredictable," in "Mis(Laid)." In the sinister "Tsunami," a wife and mother relays the details of her unraveled marriage, remaining matter-of-fact: "This story doesn't get any better, so if you wanted to stop here I certainly wouldn't blame you. I can even tell you what happens so you won't have to bother." Morrow's stories are hauntingly honest and linger in the consciousness. (Dec.)
From Library Journal
A teenage boy obsessively (and surreptitiously) photographs his older brother’s girlfriend. An electrical worker who turns motivational speaker after he’s blinded in an accident miraculously regains his sight and discovers that life was better when he couldn’t see. A young wife prone to fugue states is at the center of a series of murders that involve her husband, her children, and her husband’s lover. A teenage boy murders his grandmother’s male friend, whom he believes to be a Martian landed on Earth as part of the invasion that captivated the country in Orson Welles’s broadcast of War of the Worlds—and no trace of the body can be found. What links all these dark tales from Morrow (The Diviner’s Tale) is that the main characters live in the shadowland where normalcy and mania and at times even depravity meet. VERDICT Hanging on the voices of their narrators—at once fascinating in their fixations and repelling in their twisted logic—and mixing elements of Southern gothic and noir, these powerful tales will linger in the reader’s mind. —Lawrence Rungren, Merrimack Valley Lib. Consortium, North Andover, MA
From Booklist
Founding editor of the literary journal Conjunctions and an accomplished novelist (The Diviner’s Tale, 2011), Morrow presents his first short story collection, and it’s a chiller. A consummate stylist, Morrow is at his unnerving best in these stealthily and irrevocably bad-to-worse, twenty-first-century gothic tales. In “Tsunami,” a woman overwhelmed by televised bloodshed and the violent deaths of people close to her warns, “This story doesn’t get any better, so if you want to stop here I certainly wouldn’t blame you.” And she isn’t kidding—this is one horrific tale. But we read on, mesmerized by Morrow’s matter-of-fact relentlessness, the surprise of his plot twists, the blossoming of insanity and terror. Betrayed husbands stoke “(Mis)laid,” a breathless tale of revenge, and “Amazing Grace,” a letter-perfect, old-fashioned tale in which a man blinded in an accident becomes a megasuccessful motivational speaker and a pawn. Pathological sibling relationships are a recurring catalyst for psychologically complex nightmare scenarios. Morrow evinces an eerie and seductive sureness in summoning the inexplicable and the unnerving in these shrewd and shivery tales of madness and mayhem. --Donna Seaman
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